A sense of geographic, spatial and historical freefall attends this programme of works.

Farther Than the Eye Can See, Basma Alsharif (13 minutes):

An essayistic exploration of statelessness is conveyed through this visually gripping and astutely constructed tale of a mass exodus of Palestinians from Jerusalem, recounted over a dense, stroboscopic cityscape.

Main Hall, Philipp Fleischmann (5 minutes):

A 35mm reflexive deconstruction of the main exhibition hall of the Vienna Secession using nineteen specially designed cameras to kinetically record its space and architecture, Main Hall adds a purely cinematographic gesture to the history of this formidable White Cube.

45 7 Broadway, Tomonari Nishikawa (6 minutes):

The frenzied pace and conflicting rhythms of Times Square are captured through a dense tapestry of light and space achieved through rigorous optical printing and rich, eye-popping colour overlays.

Bann, Nina Könnemann (7 minutes):

An uncanny urbanscape is clandestinely observed, revealing a sense of alienation, self-consciousness, perhaps even shame.

Dry Standpipe, Wojciech Bakowski (12 minutes):

A startlingly raw interlaced video collage by celebrated Polish artist, musician and poet Wojciech Bakowski.

Gowanus Canal, Sarah J. Christman (7 minutes):

Sarah J. Christman continues her 16mm ecological studies with Gowanus Canal, in which contamination and compression of refuse intimate a stultifying state for one of the most polluted bodies of water in the United States.

Nefandus, Carlos Motta (13 minutes):

An evocative essay on pre-conquest homoeroticism, Nefandus searches for traces of untold stories and stigmatized historical accounts.